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Movieguide
Spiritually Uplifting Family Films & Television
Course Description: The panel will be moderated by the founder of Movieguide: A Family Guide to Movies, and the chairman of the Christian Film and Television Commission ministry – Dr. Ted Baehr. He will be joined by at least one previous Epiphany Prize winner in addition to recognized experts in the theatrical, television and home entertainment worlds of family films. Utilizing the most recent Report to the Entertainment Industry statistics gathered by Movieguide - Learn how to find your audience with insightful pitching, promotional and marketing expertise. Meet the players and the prayers in the Hollywood Christian community. Panelists to be announced.
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Back to topHal Ackerman
SESSION CANCELED:Writing Exercises for The Fit Screenwriter Course Level: BEG-ADV
Course Description: SESSION CANCELED: Olympic athletes train their bodies to become the instrument of their art. Writers must develop our writing muscles. Take a 90 minute trip to the 'Writers Gym.' Learn some amazing exercises to build your scene writing and story structure Muscle Groups. To receive a refund or exchange for another ticket, please go to Registration.
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William Akers
10 Fatal Errors Beginning Writers Make Course Level: BEG
Course Description: The goal is not to write a screenplay someone will make into a movie. The goal is to write something a reader will keep reading... and finish! Beginning writers ALL make the same mistakes, most of which are simple fixes. Akers will help you defuse ten easily avoidable land mines -- any of which will stop a reader cold.
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Just Because You Got Financing, That Doesn't Mean You're Ready To Shoot Course Level: ADV
Course Description: Film festivals get thousands of entries -- finished feature films -- that never, EVER should have gotten out of development. All that time and money wasted because the writer / director / producer thought the script was ready to shoot. Avoid heartache. Learn what your script must have BEFORE you start shooting... even if it means doing ten more drafts.
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Pilar Alessandra
Beyond the Chick Flick--Writing The Female Driven Screenplay Course Level: ADV
Course Description: Don't cry into your Hagen Dazs. Write female-driven screenplays that hang with the big boys. This seminar will help you brainstorm original stories with female leads, replace 'soft' scenes with active moments, and create bold characters, all without falling into tired stereotypes.
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Surviving Rewrite Hell Course Level: ADV
Course Description: You know your script has to be rewritten but where do you begin? Conquer your rewrite fears with writing tools that cut through the fat highlight the hook and make your script an industry must-read.
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You Had Me at Page One Course Level: ADV
Course Description: Make the reader love you on the first page. Learn writing techniques that help your script hit the ground running. Writers may bring in a first page (enough copies for the class) for potential feedback.
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Dynamic Dialogue Course Level: ADV
Course Description: Learn quick and effective writing techniques to revive bland exchanges tune up character voices create relationship tension and generally bring more life to the page.
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Howard Allen
The Secret Weapon of Great Comedy And Thriller Scripts Course Level: ADV
Course Description: As a professional actor/director turned into screenwriter and ScriptDoctor.com Howard Allen can show you one amazing writer's tool to make comedy and suspense fire on all cylinders. In your story's subtext structure find a dozen ways to use this device on grateful audiences.
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Ellen Besen and Aubrey Mintz
Ridiculously Great Animated Storytelling Techniques Course Level: ADV
Course Description: Animation can communicate story in the most unexpected ways. Ellen Besen and Aubry Mintz will explore the farthest reaches of creative animated storytelling by presenting key sequences from a variety of animated films. Whether exaggerating a real life dilemma to the point of absurdity or using rhythm as a central character, each example tackles story from a truly unique angle.
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David Bartlett
Writing the Multiple Storyline Screenplay Course Level: PRO
Course Description: For experienced writers who want to go to the master level. Breaks down the simple steps necessary to writing a screenplay with multiple storylines and several main protagonists. This gives you the tools to turn the process of multiple storyline writing from being complex and potentially daunting to being comprehendible and doable. Attendess should see Crash Magnolia Boogie Nights and Pulp Fiction before you come. Handout Included.
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The 12 Step Program to Debugging Your Screenplay--Why It Won't Sell Course Level: PRO
Course Description: Focuses on giving screenwriters workable tools they can use to debug problems in their screenplays. Details steps which find problem areas that are not always easy to see. This is not a theoretical dissertation but an actual program that can be followed to debug any screenplay that is not selling or not finished. Handout Included.
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Glenn Benest
Writing Page One To Excite The Reader Course Level: BEG
Course Description: First impressions are critical. It only takes reading the first page of your screenplay for an experienced reader, producer or director to know if you have the chops or not. What are these professionals looking for? What are clues that you are an inexperienced writer? What should you aim for on that first page of your script? Bring 25 copies of the first page of your screenplay and have them analyzed for what you are doing right and what you need to rework. Everyone's samples will be read and critiqued. Learn just how critical this first page is in determining the success of your submission.
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Shane Black
Ariane Von Kamp Interview with Guest Of Honor Shane Black Course Level: ALL Levels
Course Description: Journalist-actress Ariane Von Kamp will interivew Guest Of Honor Shane Black, and then throw the session open to audience questions. Ask away about the next Lethal Weapon, his his upcoming Cold Warriors, his most recent film Kiss-Kiss Bang-Bang, how to break into action feature writing, or any other question you can think of!
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Gerard Boccaccio
Guest of Honor Session: The Sometimes Strange Relations Between Writer and Executive. Course Level: ALL Levels
Course Description: Two Hollywood insiders, writer-/show creator James Manos Jr and creative executive Gerard Boccaccio, give you the inside story on Sordid Encounters of the Hollywood Kind, the sometimes strange relations between writer and studio exec.
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Erik Bork
Addressing Others' Input on Your Work to Move Your Career Forward Course Level: ADV-PRO
Course Description: Working with and learning from others’ feedback is a key skill at every level of a writing career. How you handle 'notes' from anyone is critical to advancing in your craft. Erik will discuss how to get the most from what others have to say and use it to your benefit.
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Finding and Writing the 'Story' in True Stories Course Level: ADV-PRO
Course Description: Every successful story needs to be a coherent emotional journey from beginning to end, whether it really happened or not. He will discuss what he has learned about identifying a good true story, mining and assembling its dramatic elements, and how and when to fictionalize.
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Creating and Pitching Series Ideas for Television Course Level: ADV-PRO
Course Description: Just like in features, concept is king in TV development, and the criteria for what makes an idea workable (fresh, compelling, and real) are very specific. Erik Bork will detail what he has learned from experience presenting dozens of ideas to networks, studios, producers, and his own agents at CAA.
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Bill Boyle
The Visual Mindscape of the Screenplay Course Level: BEG
Course Description: A fully realized screenplay reveals itself primarily through images, making use of what I call the Visual Mindscape. This allows the reader or viewer to discover elements of the story rather than being told. By being able to actively participate in the unfolding of the story makes the over all experience for the reader a more visceral and luminous experience. What do I mean by this? If in Citizen Kane you were told the meaning of the word Rosebud rather than being allowed to discover it on your own, would it have the same impact? I believe that when a reader is allowed to discover elements of a story rather than being told, they participate in a far more intimate and impelling level. I feel this is the true magic of the screenplay. The screenplay needs to find a substitution for the inner motivations of your characters with external symbols. The telling of your story now becomes a grand game of hide and seek, as you search for the visual equivalents, metaphoric images, and external representations of the hidden inner world of thoughts, values and motivations.
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Respecting the Antagonist Course Level: ADV
Course Description: Villains and Unsympathetic Characters don't consider themselves bad. You shouldn't either. Both the hero and the antagonist need to be ‘right' carried from their legitimate point of view. It is important to recognize that your antagonist is doing the best they can given their fears needs knowledge skills pain and personal history. A weak antagonist often leads to a one dimensional hero. If you do not respect your antagonist you short change them. You give them points of view and arguments that are easily disputed. This weakens them and in the process weakens your protagonist.
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Michael Ray Brown
A Structure Checklist--How to Plug the Holes in Your Script Course Level: ALL Levels
Course Description: Screenwriting has been described as a craft not an art. Structure is arguably the most important factor in a script's success. Learn how to quickly analyze your screenplay in 18 crucial areas. Discover what it takes to make your script fire on all cylinders.
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Sara Caldwell
The Suspense is Killing Me. Writing Horror Action Sequences Course Level: ADV
Course Description: This seminar explains the importance of action sequences and explores pacing introducing and enhancing characters through action building suspense and writing scenes with sex and violence. Tips are also given on what to avoid when writing action.
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Christopher Canole, Moderator
Panel: What The Major Screenplay Contests Do For You Course Level: ALL Levels
Course Description: Want to learn about what screenwriting contests can and do really do for screenwriters? Attend this panel discussion. Multiple-contest-winning screenwriter Chris Canole has put together a group of contest administrators (including our own Pasha McKenley, manager of the Expo Screenplay Competition and the AAA Screenplay Contest) to tell what happens on behalf of winners behind the scenes. For example: did you know that some producers contact screenplay contest administrators and whisper things like "Seen any good romcom scripts lately?" behind your back --and that some contest administrators say "Yes," and quietly send the scripts off --and that then, sales and options happen and writers get hired for other jobs -- all off the official radar. This is just one of the hidden benefits of entering (and not necessarily even placing well in) screenplay competitions.
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Christopher Canole, Panelist and Moderator
Panel: Screenplay Contests--Path to Recognition and Production Course Level: ALL Levels
Course Description: Award winning screenplay writer Christopher Canole conducts a panel of fellow winners coaching new writers how to use writing contests to gain recognition, representation, and rewards. Canole's competition success garnered articles in Creative Screenwriting magazine as the AAA winner and film festival awards opened the doors for his initiation into the Writers Guild of America this year. A second panel of contest administrators is planned as well. For information on these panels, see http://screenwritingexpo.com/contest.winners.panel.html
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Sarit Catz
In TV, the Writer Rules Course Level: BEG
Course Description: In films, once producers buy your script, the director doesn't want to hear from you again. In TV, the director works for you. So do the actors and everyone else. If you have stories to tell or a point-of-view to express - and you want to protect your vision - television is the medium for you. This class will give an overview of how to write for sitcoms, dramas, or comedy/variety shows. We will discuss: 'The studios and the networks and how the business works 'The series development process 'How to pitch your own show 'Pre-production 'The production process 'How an episode goes from idea to screen 'The importance of a great writing sample 'How to get an agent 'The 'Staffing Season' 'Tips to survive once you're on staff
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The Return of the Sitcom Course Level: PRO
Course Description: Broadcast and cable television networks are in the audience business; they make money by delivering an audience to advertisers. When they discovered the “reality” genre, they thought they’d hit upon the Holy Grail – cheap programming that draws a large audience. Now, however, reality audiences are shrinking while the networks still need cost-effective programming. Multi-camera sitcom is the cheapest form of scripted content to produce and is already back on the upswing both on networks and in basic cable. This session will cover: the television business model, programming trends, the parameters of the multi-camera sitcom, the development process, and the day to day operations including writing, production and post-production.
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Paul Chitlik
How to Know When You Are Done-the 8 Steps You Must Take To Finish Your Rewrite Course Level: PRO
Course Description: It Is hard to know when you've completed a draft even if you are a working professional. But there are eight steps you can take to make sure your draft is the best it can be before you send it out.
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John Cleese
Interview With The Masters: John Cleese and William Goldman Course Level: ALL Levels
Course Description: The always-lively, popular interview with William Goldman, the dean of American screenwriting, has gone upscale and international this year. Creative Screenwriting and the Expo are pleaesd to announce that John Cleese, one of the greatest comedy writers and actors in the history of movies and TV, will share the stage with Mr. Goldman this year.
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Chadwick Clough
Using Technology To Attract The Film Industry Course Level: ALL Levels
Course Description: How writers and filmmakers can utilize various forms of emerging technology and new media to help promote their work. Topics for discussion will include new technologies and their impact on the story development process of film production companies. Online video streaming has opened doors for filmmakers (and writers, directors, etc.) to expose their work to a larger audience, even if it's relatively slight. 21 billion videos streamed in July alone. --New avenues for legitimate distribution (besides YouTube) will inevitably mean a demand for more content and thus allow more writers to see their work produced on a small scale. More outlets = another source of revenue for small to mid-range production companies; source of marketing and revenue for studios in the future. Significance of iTunes, Hulu, and other new and up-and-coming sites offering streaming video content. Why they could be vital for filmmakers. Why all this is possible now, and why it couldn't have happened in the U.S. any earlier (due to broadband speeds, mainly, as well as natural audience acclimation to online video, among other factors)
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Expo Screenplay Competition Awards
Expo Screenplay Competition Awards Ceremony Course Level: ALL Levels
Course Description:
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Linda Cowgill
Common Plot Problems--How to Recognize and Overcome Them Course Level: ADV
Course Description: While many writers seem to understand a screenplay's structural concepts they still don't grasp what makes a great script work on paper. As a result their own stories feel flat complicated yet at the same time underdeveloped. This seminar does just what the title says: points out common plotting problems and provides effective solutions for them.
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The Tools of Plotting & The Sequence of Story Course Level: ADV
Course Description: A successful plot depends on conflict and movement to build tension and momentum while at the same time it must expose character and motivation to create meaning. This seminar concentrates on tools that will help you design your story to increase emotional impact strengthen momentum deepen characterizations and clarify exposition.
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The Emotional Pattern of Plot Course Level: ADV
Course Description: The Emotional Pattern of Plot defines plot and illustrates that it is more than an outline of events; it's the ordering of emotions. With this understanding writers can bring to their work greater emotional depth and payoff and make a stronger connection with their audience. Learn how to add emotion and depth to your stories to make your screenplays more compelling.
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James Dalessandro
Loglines/Treatments/Pitches Course Level: ALL Levels
Course Description: THE IDEA -- STEP ONE in building a great screenplay. There is no more important skill to up and coming writers than the ability to catch the attention of executives and readers with a short intro to their work. Lew Hunter co-Dean of UCLA's graduate screen writing program calls seminar leader James Dalessandro one of the best pitch men he has ever seen. His pitch for his novel and screenplay 1906 resulted in an extensive Hollywood bidding war.
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Structure - all you need to know about the Three Act Structure Course Level: ALL Levels
Course Description: STAGE TWO -- THE ARCHITECTURE. Too many lecturers of screen writing try to over-intellectualize structure and turn it into some metaphysical/philosophical treatise. It is simply the foundation the architecture of a successful screenplay. Most structural elements should be worked out in the outlining stage with a simple goal in mind: to build ever-rising conflict through both the plot and subplots. Once those elements are strong and compelling it frees the screen writer to focus on great dialogue and character development.
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Scenes & Characters - The secret life of Screenplays Course Level: ALL Levels
Course Description: STAGE THREE -- THE VOICE. Structure is mathematical: the true creativity in American film lies in the strength of The Scene. If the paragraph is the building block of fiction the Scene is the heart of film. In this lecture James offers insights into writing memorable scenes characters and dialogue that appeal to talented actors and directors
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How the Big Dogs Do It Course Level: Master
Course Description: Watching Film Clips From The Masters. No monologues? No lengthy flashbacks? Protagonist/antagonist must come into conflict early? Main character must be likeable? In one of his most popular lectures novelist/screenwriter James Dalessandro will dig into the heart of some of recent cinema's most brilliant moments by showing film clips of Oscar-winning films that broke the traditional rules of screenwriting. <
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Ellen Sandler and Devorah Cutler-Rubenstein
Killer Loglines--30 Seconds to Cha-Ching Course Level: ALL Levels
Course Description: Ellen Sandler and Devorah Cutler-Rubenstein will be teaching this class together. A sale often depends on getting that perfect logline for the marketplace. But how does one successfully reduce a screenplay novel true story or television series to one or two memorable sentences? This lively and interactive class will give you the necessary tools to craft that killer logline that'll help you snag the attention of that agent or buyer you've been courting.
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Wendy Cutler and Devorah Cutler-Rubenstein
Using Improv Techniques for Comedy Writing Course Level: ALL Levels
Course Description: Most successful comedy writers producers and performers began their careers as improvisers (Chevy Chase Robin Williams Lilly Tomlin). Improv helps writers think outside the box and helps you connect to a creative flow that supersedes your critic. Learn how to instantly short circuit writer's bloc and access authentic characters on the spot.
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Madeline DiMaggio
Writing the TV Spec and What Makes it Sing Course Level: ADV
Course Description: Thoughts to Consider Before Writing -How to Create Riviting Characters -The Television Pilot - Writing Movies for TV and Cable -Adaptations and Collaborations
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Debra Eckerling
Write On! Breaking Through Writers Block Course Level: ALL Levels
Course Description: Deadlines make the world go round. But what do you do when ideas, words, and motivation escape you? In this seminar, freelance writer Debra Eckerling (www.writeononline.com) will offer strategies for brainstorming, project management,and staying on track when you really don't want to. Remember, bring paper, pen, and your favorite excuses for procrastinating.
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George Escobar
Hollywood: Meet The New Christian Film Movement Course Level: ADV
Course Description: Christians are making micro-budget movies that are culture-changing and earning huge financial returns. 'Facing The Giants' made for $100K earned $12 million at the box office and over $30 million in DVD sales. Fireproof made for $500K earned $33 million in box office and sold over 2 million DVDs and 2.5 million books. Come What May" released March 17 has ranked in the Top 20 CBA Bestsellers list for 8 weeks. All three films are distributed by Provident-Integrity (a unit of Sony).
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Christian Screenwriting - Knowing What To Do Course Level: BEG
Course Description: Learn the secrets of writing for the growing Christian market. Using micro-budget techniques screenwriters now have the resources to make their films and distribution channels to get them seen.
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Robert Flaxman
Seducing the Studio Reader Course Level: ADV
Course Description: Learn the multiple techniques that will keep the reader in your 'created reality' throughout your script. Study the most common mistakes made by professional and advanced screenwriters.
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Kairos Prize For Spiritually Uplifting Screenplays
Kairos Prize: A Panel Discussion (free) Course Level: ALL Levels
Course Description: The Kairos Prize panel, comprised of past Kairos winners, will focus on the unique qualities and requirements of this important competition as well as helping new writers achieve success in the world of screenwriting competitions. Recognized experts in the theatrical motion picture and television markets, bringing insight into what it takes to bring inspired talent to the marketplace, will join Kairos winners. The panel will be moderated by the founder of Mpvieguide, A Family Guide to Movies, and the chairman of the Christian Film and Television Commission ministry, Dr. Ted Baehr. Learn how to achieve unprecedented success as a screenwriter, from screenwriting competitions and beyond. Panelists to be announced.
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William Goldman
Interview With The Masters: William Goldman and John Cleese Course Level: ALL Levels
Course Description: The always-lively, popular interview with William Goldman, the dean of American screenwriting, has gone upscale and international this year. Creative Screenwriting and the Expo are pleaesd to announce that John Cleese, one of the greatest comedy writers and actors in the history of movies and TV, will share the stage with Mr. Goldman this year.
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Mark Golik
Breaking in ... even when you're miles from L.A. Course Level: BEG
Course Description: How do you break through the wall? It's about the writing, sure. But don't neglect that left-brain activity. Craft a 'can't resist' query letter; know how and what to pitch; and, above all, pay attention to detail. I did, and landed a manager with my first script. You can, too. Program Manager's note: This is one of two been-there-and-have-the-T-shirt-to-prove-it sessions on breaking in from afar. The other is with new writer Cathy McCarthy. This is valuable insight--attend both if you can.
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Julie Gray
The Top Ten Things Readers Hate Course Level: ALL Levels
Course Description: Find out what errors drive studio readers crazy and how to avoid them. Learn what readers are really like, how many scripts they read on a given day and what you can do to make your script stand out from all the rest - in a good way.
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Stephen Greenfield
Movie Magic Screenwriter 6 Training Course Level: ALL Levels
Course Description: Learn how to use Hollywood's favorite screenwriting software, including using Screenwriter's outlining feature, adding notes, basic production features, and more. We'll also explore the new Michael Hauge Six Stage Structure template for Screenwriter 6.
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Jen Grisanti
Career Guidance From Former TV Exec Jen Grisanti Course Level: ADV
Course Description: In this class, Jen Grisanti will help to educate and empower the participants on tools to help guide their writing careers in television and film. After being a studio executive for over a decade at top studios, Grisanti will share her experiences of staffing writers, what executives look for in meetings, what scripts stand out and why and how the individual can learn to create the career that they want. Jen will also go into the best ways to find representation and how to make the right choices.
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Paul Joseph Gulino
Sequences--The Hidden Structure of Successful Screenplays Course Level: ADV
Course Description: The great challenge in writing a feature-length screenplay is sustaining audience emotional involvement from page one through page 120. This seminar will explore an often-overlooked tool that can help: a screenplay can be built of sequences of about fifteen pages each. By focusing on solving the dramatic aspects of each sequence a writer can more easily conquer the script as a whole.
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Exhibit Hall Hours
Exhibit Hall Friday Hours Course Level: ALL Levels
Course Description: Exhibitors offering demos and products for sale at discounts
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Exhibit Hall Saturday Hours Course Level: ALL Levels
Course Description: Exhibitors offering demos and products for sale at discounts
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Exhibit Hall Sunday Hours Course Level: ALL Levels
Course Description: Exhibitors offering demos and products for sale at discounts
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Michael Hauge
Sell your Story in 60 Seconds Course Level: ALL Levels
Course Description: Whether at Expo Pitch Meetings or on the telephone screenwriters and filmmakers repeatedly face the challenge of having only a minute or two to convince the people in power to read their screenplays. This hands-on workshop will explore the key story components that will guarantee success and will give selected participants direct feedback on their story concepts and pitches.
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The Hero's 2 Journeys--Mastering Story Structure and Character Arc Course Level: ALL Levels
Course Description: In every successful screenplay the Hero takes two intertwined journeys one of achievement and the other of transformation. As your characters pursue clear visible objectives they must also confront their deeper fears and desires in order to find true fulfillment. This presentation will provide a unique understanding of the ways plot structure and character arc are united and intertwined and provide the tools to create deeper more compelling and more commercial stories and characters by exploring your hero's wounds longings identities and destinies.
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Creating Powerful Movie Scenes Course Level: ALL Levels
Course Description: Good scenes are like great movies in miniature: they draw the reader into a unique reality; create empathy and identification with the characters; reveal compelling desires and insurmountable conflicts; contribute to character growth and theme; provide a blueprint for direction and performance; and elicit bigger-than-life emotions. Using examples from a variety of recent successful films this seminar will reveal the elements of action description and dialogue that will ensure the overall success of your screenplay.
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Grabbing the Reader in the First 10 pages Course Level: ALL Levels
Course Description: The opening of your screenplay is your single most powerful weapon for acquiring an agent or securing a deal. Most Hollywood executives won't read past page 10 if they're not immediately involved in your story but will forgive an abundance of weaknesses later in the script if you grab them from the moment they begin. Using examples from several Oscar-nominated screenplays this seminar will show you how to insure that your opening scenes draw readers into the world you've created set the tone of your screenplay establish empathy with your hero lay the groundwork for character growth and theme and compel readers to turn the page. Michael also gives selected participants direct feedback on their opening scenes which you can read directly on the screen as you hear his commentary and suggestions.
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Anatomy of a Screenplay - Slumdog Millionaire Course Level: ALL Levels
Course Description: This special event has become a staple of the Expo as Michael Hauge offers his unique, in-depth analysis of a critically acclaimed and commercially successful screenplay. At the conclusion of a week filled with writers and lecturers revealing the principles of successful screenwriting, this 2-hour workshop will provide a detailed analysis of Simon Beaufoy's Oscar-winning screenplay Slumdog Millionaire. Michael will show how this uniquely original adaptation and multi-national film can serve as a wonderful model for creating suspenseful, multi-layered plots, rich characters, engrossing love stories and universal themes, even in more mainstream Hollywood screenplays. Please see the movie prior to attending the lecture.
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Brian Herskowitz
Crafting the Outline for Your Feature Film Course Level: ADV
Course Description: If you've ever found yourself stuck halfway through a great script or blocked because you don't know what to do next then this lecture is for you. How character leads to choices. How to maximize conflict. The 12 GUIDEPOSTS to your screenplay and a host of over tools will be discussed.
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Lynda Heys
Slaying The Dragon--The Hero And The Second Act Course Level: PRO
Course Description: Drawing across the genres, this Master Class focuses on heroes and their flaws, fears and needs that build their worlds and unlock the second act. The session winds up by combining worlds, plot and journeys to give these heroes one last chance to achieve their potential and inspire us all.
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Marilyn Horowitz
The Four Magic Questions Of Screenwriting Course Level: BEG-ADV
Course Description: In this cutting-edge class, Marilyn will guide you through her revolutionary new method of structuring a screenplay, using techniques she first presented at the 2008 Screenwriting Expo. Whether you are beginning a first draft, or rewriting a current script, these powerful ideas will help you move your work to a whole new level.
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How To Re-Examine Your Main Character Course Level: BEG-ADV
Course Description: The goal of this seminar is to understand why your hero or heroine is the only character who can star in your script. By connecting the plot's Premise-Question with your character's goal can you build the rock-solid foundation needed for a strong first draft.
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Chris Huntley -- Dramatica Classes
Heroes, Villains, and Dramatica Archetypes Course Level: ALL Levels
Course Description: Stories are populated with heroes, villains, sidekicks and more. Find out what makes them tick and how to use them in your stories. We’ll explore the basics then go beyond simple character archetypes and create far more interesting, complex characters.
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Character Arc: Facts and Fiction Course Level: ALL Levels
Course Description: Realistic characters grow and develop in stories. Find out several character and plot dramatics and learn how to make them work for your stories -- immediately.
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Karl Iglesias
Pitching To Sell--Engaging The Listener Emotionally Course Level: ADV
Course Description: The only way to guarantee a script request is to interest and excite the listener with your pitch. Presenting techniques from the most successful pitchers in the biz author Karl Iglesias will show students how to ignite the executive's interest. Topics will include an insider's view of the do's and don'ts of pitching to producers the essential elements of a great pitch how to distill your story into a pitchable and enticing logline and most important how to develop your verbal confidence by practicing your pitch until it shines.
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Writing for Emotional Impact--Maximizing the Reader's Emotional Response Course Level: ADV
Course Description: A must for any writer who's mastered the basics but has yet to break the barrier. Focusing on the key element of all successful scripts—the reader's emotional response to the written page—Karl Iglesias will show you fresh ways to evoke emotion on every page of your scripts. He'll discuss why emotion is the key to successful screenwriting what readers look for in evaluating scripts showcase 'good' and 'bad' examples and illustrate why A-list screenwriters keep getting hired. He'll also guide you through the professional's creative process from concept to final draft.
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Testing Your Concept at the Emotional Level Course Level: ADV
Course Description: Did you know that 95% of novice writers fail at the concept? The concept is the core of the script and most insiders agree that in Hollywood the 'idea is king.' You can create a great hero write edgy dialogue weave in a deep theme but if you choose the wrong concept or fail to develop it properly you're guaranteed an uphill battle at the marketing stage. This workshop will focus on what makes a great idea regardless of genre or whether it is a high- or low-concept 'commercial' or 'art' film and on the three emotional requirements of a great idea that cause that ideal reaction of interest excitement and fascination; the itch that makes you want to read the script or see the movie.
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Crafting Fascinating Scenes for Emotional Impact Course Level: ADV
Course Description: What makes a great scene or moment at the emotional level is the focus of this workshop. Expanding on the key element of all successful scripts the reader's emotional experience author Karl Iglesias will showcase scene techniques from highly successful screenwriters that turn cliché elements into gripping scenes that mesmerize and entertain the reader. Topics will include the three types of scenes scene beats emotional cues discovery and decision contrast and the emotional palette.
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Crafting Vivid Description for Emotional Impact Course Level: ADV
Course Description: A screenplay should be as exciting to read as the movie will be to view and this requires writing designed to involve the reader. Expanding on the key element of all successful scripts the reader's emotional experience author Karl Iglesias will discuss the basics of emotionally evocative writing. Topics will include how to command attention on the page energize descriptions seamlessly weave exposition into description and trim the fat.
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Crafting Fresh Dialogue for Emotional Impact Course Level: ADV
Course Description: The ultimate challenge for writers today is creating compelling authentic fresh dialogue that individualizes characters and entertains the reader. Expanding on the key element of all successful scripts—the reader's emotional experience—author Karl Iglesias showcases dialogue techniques from highly successful screenwriters that turn flat on-the-nose dialogue into striking speech that snaps crackles and pops off the page. Topics include the most common dialogue problems with specific fixes for each polishing devices that reveal character and push all the right emotional buttons as well as subtext individual speech and how to weave in exposition.
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The Psychology of Subtext--The Meaning Behind the Words Course Level: ADV
Course Description: Author Karl Iglesias takes an in-depth look at the most challenging area for screenwriters: how to avoid 'on-the-nose' dialogue and create dramatic interactions that have subtext—the meaning and emotions behind the spoken words. This workshop presents ten proven techniques and tricks of the trade for creating subtext in your dialogue with lots of script examples. Topics include why subtext is such a big deal and the dramatic moments when 'on-the-nose' dialogue is actually acceptable.
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Mastering the Ten Essential Habits of Highly Successful Screenwriters Course Level: BEG
Course Description: Most screenwriting books and seminars attempt to teach the frustrated screenwriter what to do; this seminar will outline how to do it. Author Karl Iglesias will discuss the ten essential habits of highly successful A-list screenwriters such as Ron Bass Akiva Goldsman Eric Roth and more offering students an insider's view at how the pros discipline themselves create original material conquer the blank page eliminate writer's block and persevere in Hollywood. Students will also get an insightful look at the realities of the business directly from the top writers in Hollywood.
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Don't Ruin a Great Script with Amateur Red Flags Course Level: ADV
Course Description: Join UCLA instructor Karl Iglesias as he discusses the top reader pet peeves that instantly peg a screenplay's writer an amateur. Studio readers can spot a beginner from page one, which is an unfortunate bias to what could possibly be a genius script. Topics will include the most common formatting flaws, parentheticals, flashbacks, voice overs, lazy writing, flat vs. compelling narrative, redundant writing, show vs. tell, white space, vertical writing, sharp vs. stilted dialogue, etc.
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Steve Kaplan
Creating & Developing Your Comedy Screenplay Course Level: ADV
Course Description: Writing a spec script? Polishing up your romantic-comedy screenplay? Steve Kaplan is one of the industry's most sought-after expert when it comes to Comedy. Having taught at UCLA NYU and Yale and other top universities Steve created the HBO Workspace and the HBO New Writers Program. His famed class attracts people from around the country dedicated to learning and understanding the craft of comedy writing.
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Steve Kaplan's Comedy Intensive--The Hidden Tools Course Level: ADV
Course Description: From the industry's top stars (Jack Black Nathan Lane Michael Patrick King etc.) to first time comedy writers producers directors and performers Steve Kaplan has worked with and developed the best. The proven and practical methods and principles contained in his famed Comedy Intensive course reveals the hidden tools and principles that help you understand comedy from the inside out: How do you write funny? How do you act funny? How do you direct funny? How do you be funny?
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Kary Kirkpatrick
Guest of Honor Session: Interview with Karey Kirkpatrick Course Level: ALL Levels
Course Description: With such a remarkable string of creative and box-offices successes in animation and fantasy, Karey Kirkpatrick is a writer you won't want to miss.
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Bob Kosberg
Selling Your Idea To Hollywood With Pitch King Robert Kosberg Course Level: ADV-PRO
Course Description: How to get 'in the room' and stay there. The basics and intricacies of of all types of pitches (in person phone written) will be covered in an interactive forum. You will learn how to find develop package and protect your ideas with an emphasis on how to stay involved with those ideas after you've pitched them. Kosberg's greatest gift to attendees is that they are encouraged to share and develop their ideas with him personally and to continue contact with him. He will continue to welcome your ideas and consider them for submission to studios and major stars. This is a must-attend for writers producers or anyone with a great idea for the next high-concept Hollywood blockbuster.', Bob'
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Franklin Leonard
Guest of Honor Session: Franklin Leonard, Producer, Creator of The Blacklist Course Level: ALL Levels
Course Description: Why do we have someone who is virtually unknown outside of Hollywood, and who is associated with “The Black List” – the former version of which was such an infamous blot on American history – listed as a Guest of Honor at the Screenwriting Expo? Because Franklin Leonard is possibly the good, unnoticed writer’s best friend in town, and has become one of Hollywood’s hidden major power brokers. That is not solely because he holds an important power position at Universal. It is also because of what his creation, The (new, great) Black List, is and does. There is virtually no other vehicle – no high-powered agency, no screenplay contest, or even pitching to the right producer – that draws positive attention to a script to the degree that being on The Black List does. For those who do not know, here is what it is: a list of scripts that he publishes every December. It started in late 2005, when he asked other production executives for their favorite scripts which had not been sold. "The Black List is not a 'best of' list. It is, at best, a 'most liked' list," he wrote on the 2006 cover sheet for the list. Movies including “Juno,” (2007), “Things We Lost In The Fire” (2007), “Lars And The Real Girl (2007), “Rendition” (2007), “The Brigands of Rattleborge” (scheduled for 2010 release), “Lions for Lambs” (2007), “In Bruges (2008) and and “State of Play” (2009) have all been released or are scheduled for release after making the Black List. "I think that writers are very much undervalued in Hollywood," Leonard told the Los Angeles Times. "So I love the idea that if assistants, junior development executives, senior executives at a studio or a studio president take a look at this list and see that 18 people have recommended a script, maybe they'll take the time to read it. If you can heighten the buzz around these writers, maybe they'll start to be less undervalued. That's the hope anyway. But that was never the initial intention; it was really just about finding more good stuff for me to read."
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Bill Lundy
5 Steps to Great Heroes and Villains Course Level: ADV
Course Description: Students will learn five key techniques to creating compelling protagonists and antagonists that will attract powerful actors and make their stories much more interesting and sellable.
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More White Space! How To Pare Down Your Prose And Get Your Script Noticed Course Level: ALL Levels
Course Description: Learn how Hollywood pros really write! Correct grammar and full sentence are not always best. At times, it takes nothing more than a pithy phrase. Screenplays are a unique form of writing, different from poetry or novels. Students will learn the stylistic and writing techniques that most working screenwriters use, the ones which companies want and expect to see in great screenplays.
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James Manos Jr
Guest of Honor Session: The Sometimes Strange Relations Between Writer and Executive. Course Level: ALL Levels
Course Description: Two Hollywood insiders, writer-/show creator James Manos Jr and creative executive Gerard Boccaccio, give you the inside story on Sordid Encounters of the Hollywood Kind, the sometimes strange relations between writer and studio exec.
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Selling Your Lies as Truth: Developing and Pitching One-Hour Dramas to Hollywood Course Level: ADV
Course Description: Where do stories come from and how do they get sold to networks? In this engaging and insightful lecture, James Manos, Jr., Emmy Award winning writer of The Sopranos, Consulting Producer on The Shield, and the Creator of the TV series, Dexter, expatiates on the origin of ideas, how they are crafted into scripts, and how scripts are sold to Hollywood buyers.
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Paul Margolis
Watching Your Way To Success: How To Mine Great Movies For Screenwriting Gold Course Level: ADV
Course Description: By discovering how to look at movies in a new way, you can understand everything you need to know about story – and use those box-office-tested secrets to take your script to a whole new level. In this “screening room” seminar, you’ll learn this invaluable technique as we study key scenes from different genres (even popular 30-second commercials) and discuss what makes them work. Topics will include: power of the opening image, heroic point of view, how conflict is there even when you don’t think it is, tricks for manipulating audience emotion, the importance of the unexpected, and why less is more.
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Why Adult Thrillers Are Dead And Other Secrets of the Biz You Can't Afford Not to Know Course Level: ADV
Course Description: Books, videos, workshops – there are literally hundreds, all teaching you how to write a great screenplay. But are they really helping you attain your ultimate goal, to sell your script? Join a working writer in the trenches for this down-to-earth look at the new realities in Hollywood and how to make them work for you. You’ll learn why concept is everything, why buyers have shifted away from once-popular genres and now prefer certain types of characters, and how to design a targeted, well-researched strategy that will maximize your chances of making that sale.
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Dara Marks
Inside Story Part 1--Developing the Transformational Arc of Character Course Level: PRO
Course Description: In the process of developing plot and character writers often lose track of what is important and meaningful. Understanding how to utilize the Transformational Arc greatly expands a writer's ability to identify and stay focused on unifying principles that link plot and character to the thematic emotional and even spiritual dimensions of a story.
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Inside Story Part 2--Building the Transformational Arc of Character Course Level: PRO
Course Description: Inside Story is an innovative approach to screenwriting that illuminates the inner journey of the character enabling writers to build an internal structure that forms the Transformational Arc. Knowing how to utilize the power of the Arc will enhance your ability to move beyond traditional story structure and construct scripts that are more powerful meaningful and marketable.
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Bill Marsilii
From Premise to Plot Course Level: PRO
Course Description: Screenwriter Bill Marsilii (DEJA VU) discusses his approach to plot from developing a movie-worthy premise through the brainstorming and outlining process to a solid screenplay structure.
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Cathy McCarthy
How To Break In From Out Of State Course Level: ADV
Course Description: Living out of state and working a full time job? No problem! How I broke in and got my first option, the importance of screenwriting contests, how to get a Manager, why having a Manager is far more important than getting an Agent, crucial skills that you must have to make it to the next level, what to expect in a studio meeting - from someone who had no idea what to expect and thinking outside the box to get what you want. Program Manager's note: This is one of two been-there-and-have-the-T-shirt-to-prove-it sessions on breaking in from afar. The other is with new writer Mark Golik. This is valuable insight--attend both if you can.
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Mike Medavoy
Guest of Honor Session: Mike Medavoy Course Level: ALL Levels
Course Description: Mike Medavoy's biography says it all: he has had a key role in bringing many of Hollywood's greatest movies to screen. He is the person to listen to above all about Hollywood.
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Billy Mernit
Writing The Marketable Romantic Comedy Course Level: ADV
Course Description: This information-packed seminar utilizing film clips and a Hollywood insider's pragmatic experience defines the essential components of a marketable romantic comedy. Learn how to create compelling leads who have real chemistry how to tweak the formula and how to develop genuinely passionate funny stories of substance that will speak to contemporary audiences.
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Writing Funny Love--Comedy Craft for the Contemporary Romantic Comedy Course Level: ADV
Course Description: The contemporary rom-com requires a fresh irreverent (and sometimes raunchy) comedic approach to the standard 'boy meets girl' formula. This seminar utilizing film clips and a Hollywood insider's pragmatic experience defines time-honored principles of comedy and shows you how to tweak and update them to satisfy the sensibility of today's audience.
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Agents And Managers Panel Discussion
Agents And Managers Panel Course Level: ALL Levels
Course Description: AGENTS AND MANAGERS PANEL, moderated by Jenelle Riley, includes Sarabeth Schedeen of MTA, which runs striketv.com, Christopher Pratt from Elements Entertainment, and Bruce Smith from talent agency Omnipop. A fourth panelist is likely.
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Horror Writers Panel Discussion
Horror Writers Panel -- Adam Green, Eduardo Sanchez, Ryan Schifrin, Ti West Course Level: ALL Levels
Course Description: HORROR WRITERS' PANEL DISCUSSION, hosted by Jenelle Riley. EDUARDO SANCHEZ co-wrote, co-edited and co-directed famous breakthrough virally-marketed the Blair Witch Project, which grossed over $140 million theatrically in North America. He also designed and built the original blairwitch.com website and co-directed the TV special Curse of the Blair Witch for The Sci-FI Channel. He directed the feature film Altered, which was distributed on DVD in the United States and United Kingdom by Universal Home Entertainment in 2005. His third feature film, Seventh Moon, stars Amy Smart and is being released by Ghosthouse Underground in October of 2009. He lives with his wife, Stefanie, their three children, Bianca, Lucas and Lennon, in Urbana, Maryland. TI WEST, writer, director and editor, marks his fourth feature with the House of the Devil following such cult hits as the Roost and Trigger Man and the forthcoming Lionsgate release Cabin Fever 2: Spring Fever. He is represented by Artists & Directors Cooperative and ICM. ADAM GREEN made is first feature film, the comedy Coffee & Doughnuts, for a mere $400 in the summer of 1999. In 2003 the movie was bought by Walt Disney Studios/Touchstone TV and developed as a sit-com for UPN with Green writing the pilot. He wrote and directed the feature film Hatchet , which won numerous awards, including the Audience Choice Award for “Best Picture” in three countries and placement in both MTV's and Ain't It Cool News' Top 10 Films of the Year lists. Hatchet saw a successful nationwide theatrical release in September of 2007. His next film, the award-winning Spiral, saw a US theatrical release in February of 2008. He also produced the disturbing and horrifying thriller Grace, and just completed writing the animated Aquaman movie for Warner Brothers/D.C. Comics and just wrapped production on his new snowy thriller Frozen, due out in theaters in February of 2010. RYAN SCHIFRIN was touted on ABC News as the future of horror after his critically acclaimed and award-winning feature film Abominable premiered in New York. Its world TV premiere on cable's SCI-FI Channel was the top-rated broadcast on the network the week it aired. His screenplay Wimpy sold to Warner Bros.-based Alcon Pictures for Neal Moritz (I Am Legend, Prison Break) to produce. Last year, Ryan created the hit comic book series Spooks, and co-wrote it with Larry Hama (Gi Joe) and New York Times best selling author R.A. Salvatore (Forgotten Realms). His new comic series, the Devil's Handshake, and is being released this October. He is a graduate of the University of Southern California School of Cinema.
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Welcoming Reception Hosted By Pasha McKenley
Expo Screenlay Competition Awards And Welcoming Reception Course Level: ALL Levels
Course Description: Put your knowledge of the movie dialogue to the test at this unique networking opportunity. Have fun, win prizes, perhaps meet your next writing partner.
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Jim Pasternak
Directing--Preparing the Dramatic Workbook Course Level: PRO
Course Description: How to read analyze and prepare a screenplay for the rehearsal of actors and direction of the crew. How to shift from literary thinking to dramatic thinking. How events dictate creative choices. (It is recommended that screenwriters who want to direct attend all six of Jim's classes as Jim has been known to spontaneously integrate material from one session into another.)
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Directing--Visualization & Staging the Deep Focus Master Course Level: PRO
Course Description: How to create storyboards and blocking diagrams. How to stage and shoot a scene in one shot in the style of Orson Wells and William Wyler. (It is recommended that screenwriters who want to direct attend all six of Jim's classes as Jim has been known to spontaneously integrate material from one session into another.)
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Directing--Lenses Moving Camera & Subjective Point of View Course Level: PRO
Course Description: How to see through lenses; how and when to move the camera; how and when to experience the scene from a character's direct point of view. (It is recommended that screenwriters who want to direct attend all six of Jim's classes as Jim has been known to spontaneously integrate material from one session into another.)
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Directing--Collaboration & Rehearsal Course Level: PRO
Course Description: How to collaborate and achieve optimum performance from your crew and actors. (It is recommended that screenwriters who want to direct attend all six of Jim's classes as Jim has been known to spontaneously integrate material from one session into another.)
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Directing--Collaborating with an Editor Course Level: PRO
Course Description: Continuity cutting to create a powerful dream-like experience for the audience. Concepts important to a director's understanding of editing and collaborating with the editor. (It is recommended that screenwriters who want to direct attend all six of Jim's classes as Jim has been known to spontaneously integrate material from one session into another.)
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Directing--Light & Metaphor Course Level: PRO
Course Description: How to see light and how to find visual and auditory metaphors for your films. (It is recommended that screenwriters who want to direct attend all six of Jim's classes as Jim has been known to spontaneously integrate material from one session into another.)
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The Golden Pitch Fest
The Golden Pitch Screenplay Pitch Fest Friday Afternoon Session Course Level: ALL Levels
Course Description: Why Pitch? Industry Access. Without an agent or legal representation, screenwriters almost never get the opportunity to bring their ideas to the people who can help their script evolve into a film. Don’t miss this opportunity to pitch directly to an industry executive with the power to turn your dream into a reality. In one room, up to 50+ representatives of Hollywood’s A-list producers, development executives, agencies and management companies at a time will be looking for new material. No other event will offer writers better access to the people and companies capable of setting your writing career in motion. We’ve provided the venue, all you need to do is bring your best ideas and polished pitches — this is your chance to gain representation, sell your idea and make career-changing contacts. Who? Representatives from the top names in the industry, including studio, network and cable development production companies as well as reps from writers' agencies managers. Each of our executives is with an organization which has a studio deal and/or has produced several major motion pictures, television shows Movies-of-the-Week, or New Media or Web productions. Executives seeking features of all budgets, MOWs, as well as hour and half-hour television formats, New Media, and Web producers will be hearing pitches. The execs are from the top companies representing elite screenwriting talent. NOTE: ignore the message in some program pages that you do not need to buy tickets for this session with a Gold Pass. An offshore programmer wrote that into the PHP program code, and we don't have time before the Expo to get it out. You DO need to buy a ticket for each pitch.
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The Golden Pitch Screenplay Pitch Fest Saturday Morning Session Course Level: ALL Levels
Course Description: Why Pitch? Industry Access. Without an agent or legal representation, screenwriters almost never get the opportunity to bring their ideas to the people who can help their script evolve into a film. Don’t miss this opportunity to pitch directly to an industry executive with the power to turn your dream into a reality. In one room, up to 50+ representatives of Hollywood’s A-list producers, development executives, agencies and management companies at a time will be looking for new material. No other event will offer writers better access to the people and companies capable of setting your writing career in motion. We’ve provided the venue, all you need to do is bring your best ideas and polished pitches — this is your chance to gain representation, sell your idea and make career-changing contacts. Who? Representatives from the top names in the industry, including studio, network and cable development production companies as well as reps from writers' agencies managers. Each of our executives is with an organization which has a studio deal and/or has produced several major motion pictures, television shows Movies-of-the-Week, or New Media or Web productions. Executives seeking features of all budgets, MOWs, as well as hour and half-hour television formats, New Media, and Web producers will be hearing pitches. The execs are from the top companies representing elite screenwriting talent. NOTE: ignore the message in some program pages that you do not need to buy tickets for this session with a Gold Pass. An offshore programmer wrote that into the PHP program code, and we don't have time before the Expo to get it out. You DO need to buy a ticket for each pitch.
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The Golden Pitch Screenplay Pitch Fest Saturday Afternoon Session Course Level: ALL Levels
Course Description: Why Pitch? Industry Access. Without an agent or legal representation, screenwriters almost never get the opportunity to bring their ideas to the people who can help their script evolve into a film. Don’t miss this opportunity to pitch directly to an industry executive with the power to turn your dream into a reality. In one room, up to 50+ representatives of Hollywood’s A-list producers, development executives, agencies and management companies at a time will be looking for new material. No other event will offer writers better access to the people and companies capable of setting your writing career in motion. We’ve provided the venue, all you need to do is bring your best ideas and polished pitches — this is your chance to gain representation, sell your idea and make career-changing contacts. Who? Representatives from the top names in the industry, including studio, network and cable development production companies as well as reps from writers' agencies managers. Each of our executives is with an organization which has a studio deal and/or has produced several major motion pictures, television shows Movies-of-the-Week, or New Media or Web productions. Executives seeking features of all budgets, MOWs, as well as hour and half-hour television formats, New Media, and Web producers will be hearing pitches. The execs are from the top companies representing elite screenwriting talent. NOTE: ignore the message in some program pages that you do not need to buy tickets for this session with a Gold Pass. An offshore programmer wrote that into the PHP program code, and we don't have time before the Expo to get it out. You DO need to buy a ticket for each pitch.
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The Golden Pitch Screenplay Pitch Fest Sunday Morning Session Course Level: ALL Levels
Course Description: Why Pitch? Industry Access. Without an agent or legal representation, screenwriters almost never get the opportunity to bring their ideas to the people who can help their script evolve into a film. Don’t miss this opportunity to pitch directly to an industry executive with the power to turn your dream into a reality. In one room, up to 50+ representatives of Hollywood’s A-list producers, development executives, agencies and management companies at a time will be looking for new material. No other event will offer writers better access to the people and companies capable of setting your writing career in motion. We’ve provided the venue, all you need to do is bring your best ideas and polished pitches — this is your chance to gain representation, sell your idea and make career-changing contacts. Who? Representatives from the top names in the industry, including studio, network and cable development production companies as well as reps from writers' agencies managers. Each of our executives is with an organization which has a studio deal and/or has produced several major motion pictures, television shows Movies-of-the-Week, or New Media or Web productions. Executives seeking features of all budgets, MOWs, as well as hour and half-hour television formats, New Media, and Web producers will be hearing pitches. The execs are from the top companies representing elite screenwriting talent. NOTE: ignore the message in some program pages that you do not need to buy tickets for this session with a Gold Pass. An offshoren programmer wrote that into the PHP program code, and we don't have time before the Expo to get it out. You DO need to buy a ticket for each pitch.
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The Golden Pitch Screenplay Pitch Fest Sunday Afternoon Session Course Level: ALL Levels
Course Description: Why Pitch? Industry Access. Without an agent or legal representation, screenwriters almost never get the opportunity to bring their ideas to the people who can help their script evolve into a film. Don’t miss this opportunity to pitch directly to an industry executive with the power to turn your dream into a reality. In one room, up to 50+ representatives of Hollywood’s A-list producers, development executives, agencies and management companies at a time will be looking for new material. No other event will offer writers better access to the people and companies capable of setting your writing career in motion. We’ve provided the venue, all you need to do is bring your best ideas and polished pitches — this is your chance to gain representation, sell your idea and make career-changing contacts. Who? Representatives from the top names in the industry, including studio, network and cable development production companies as well as reps from writers' agencies managers. Each of our executives is with an organization which has a studio deal and/or has produced several major motion pictures, television shows Movies-of-the-Week, or New Media or Web productions. Executives seeking features of all budgets, MOWs, as well as hour and half-hour television formats, New Media, and Web producers will be hearing pitches. The execs are from the top companies representing elite screenwriting talent. NOTE: ignore the message in some program pages that you do not need to buy tickets for this session with a Gold Pass. An offshoren programmer wrote that into the PHP program code, adn we don't have time before the Expo to get it out. You DO need to buy a ticket for each pitch.
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Friday Networking Reception
Creative Screenwriting Hosts A Screenwriter Networking Reception Course Level: ALL Levels
Course Description: Touted as 'Host of the Coast' the Biltmore was the place to see and be seen for Los Angeles high society. The Academy Awards held their founding banquet here and legend has it that the original sketch for the 'Oscar' statuette was drawn on a Biltmore napkin! Listen to music, mingle, and see where it all started - you never know you could meet the person who will jump start your career!
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Saturday Networking Reception
The Screenwriting Expo Hosts A Screenwriter Networking Reception Course Level: ALL Levels
Course Description: You won't want to miss this pool side networking opportunity. The last bash of the Screenwriting Expo
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Screenwriting Expo Registration
Screenwriting Expo Registration, Ticket Sales, And Information Course Level: ALL Levels
Course Description: Welcome to the Screenwriting Expo! We are doing our best to make this meeting the most useful and valuable educational, networking, and pitch opportunity you find all year. Registration will open late in the afternoon of Oct. 15, and will be open each day of the Expo, beginning in the morning before sessions begin, and continuing through the day. Consult this schedule or the program for registration hours. At Expo registration, the windows for advance-purchased registration materials and tickets are a separate set of windows from those for purchasing on site, so be sure to read the signs before you get in line. Also, if you are buying a registration or tickets to sessions or receptions, please obtain the registration/ticket form before you get in line and fill out the name, address, and payment information before you reach the window. Forms of payment accepted: major credit cards and e-checks. To buy with an e-check, you will need to provide a voided actual, physical check, which we will keep as a record of the payment information.
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CS Open Rehearsals (Not public)
Cyberspace Open Finals--Actor Rehearsal
Course Description: Rehearsal for acting out the three finalist scenes in the Cyberspace Open -- not a public event. :Listed for hotel and management
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Greg Roach
Writing for Games: Atoms, Barks, Story Trees and State Engines Course Level: ALL Levels
Course Description: Why should a writer consider 'slumming' in the world of games or interactive media? Because this is the industry that's steadily eating TV, newspapers and magazines, alive - three meals a day. In 2008, the games biz saw growth of 19%. And that was a slow year! By 2012 games will be $68 Billion industry. From a few grand for a small one-off project to $10-$15K per month for an on-going Triple A gig, writing for games and interactive media can offer some very nice bread-and-butter money while you're waiting for J.J. Abrams to call. But perhaps most important is the nature of the work itself. Because the structural demands of games are so radically different from linear forms, a few things will happen when you start to write for interactive. You can stretch some brain cells you didn't even know you had, and your writing will just generally improve. You'll come into closer alignment with the way an entire generation sees the world and have a better feel for what they expect from entertainment of any form. And best of all, you'll be contributing to the growth and development of an entirely new kind of creative expression. Games and interactive media are moving past infancy into being toddlers, and there's an amazing opportunity to help define what they'll be when they grow up. Learn all about it with Greg Roach.
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Alex Kurtzman and Roberto Orci
Guest of Honor Session: Alex Kurtzman and Roberto Orci Course Level: ALL Levels
Course Description: Guest of Honor Session with the writers of the 2009 Star Trek, Transformers
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Script Analysts Salon
The Writer-Script Analysts' Salon - -- A Free-Form Writer-Analyst Salon Course Level: ALL Levels
Course Description: SCRIPT ANALYSTS’ SALON. What is it? We don’t know whether we’re going to carry this one off, but the idea is that it’s an opportunity for writers and script analysts to meet on your own schedule at the Screenwriting Expo. This is a FREE event. We might provide a small meeting room, but there are so many comfortable places for two people to talk at the Wilshire Grand Hotel and the other Expo registrants’ hotel, the Millennium Biltmore, that a meeting room is probably not necessary. We will provide contact information for script analysts who are registered to come to the Screenwriting Expo, and who agree to participate in the Salon, at this page: http://screenwritingexpo.com/salon.html. Registrants: contact script analysts on you rown through that page. Meet where and when you want. Some of the most convenient meeting spaces at the Wilshire Grand are the spacious lobby in the middle of the Expo meeting area, the City Grill Coffee Bar, the Point Moorea tiki bar just down the escalators from the Expo, and the Wilshire Grand restaurants. At the Millennium Biltmore, the fabulous, spacious lobby and the famous, extraordinarily beautiful Gallery Bar off the main lobby are great meeting spaces. Script consultants: to be listed, see the bottom of that page and then send the required listing information to us.
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Ellen Sandler
Turning your Screenplay Into a TV pilot. Course Level: ADV
Course Description: Your screenplay could have a second life as an original TV script. The preferred read among agents and producers currently are original pilot specs—if you've got a screenplay you're half way to TV pilot. This workshop breaks down the elements of a television series proposal and outlines the differences between a feature and a series pilot.
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What Can I Say?--A Dialogue Workshop Course Level: ADV
Course Description: A highly practical set of tools and examples that will transform the way you write dialogue. These techniques are surprisingly simple yet magically effective. They're easy to use and apply to any genre or style.
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Closing Ceremony And CS Open Scene-Writing Competition Finals
CS Open Scene-Writing Contest Finals (See the Exciting New Format!) Course Level: ALL Levels
Course Description: More than a thousand entrants, and it will be down to the final three in the new Cyberspace Open, the web version of the CS Open sceene-writing competition. The three finalists' scenes will be performed live before the audience at the Closing Ceremony, which will pick the winner. Also at the Closing Ceremony: Don't miss the free "raffle ticket" giveaways, including a free trip to the 2010 Expo, free subscriptions to Creative Screenwriting Magazine, and, if they consent, free stuff signed by Guests of Honor. And, of course, one lucky (we hope) registrant wins a free Bill's Barbecued Planked Salmon cooked right before you and up to 50 of your friends (you supply the party, the location within 30 miles of Los Angeles, and the barbecue, and the publisher of Creative Screenwriting comes to your location with the salmon and cooks this delight for you).
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CS Open Scene-Writing Competition Semifinals
CS Open Scene-Writing Contest Semifinals (open to semifinalists only) Course Level: ALL Levels
Course Description: Semifinalists will be given 90 minutes to write a two- to three-page scene based on specific guidelines. Scenes will be scored by a distinguished panel of industry readers based on: Structure, Dialogue, Style, and Originality. The top 10% of writers from the eight sections of Round One held Sept. 18-21advanced to Round Two Oct 1-2, in which they wrote a second two-to-three page scene, based on parameters given then. Then, ten writers advance to Round Three. Participating either online or from the Expo, they will pen a final three-to-five page scene. The judges will select the best three three scenes from those ten. Scenes written by these finalists will be given live readings in The Championship Round (Round Four)by trained actors before the audience at the Closing Ceremony. The audience will choose the winner and runnerup.
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Pitch Boot Camp 1-- Scriptwriters Network
Pitch Boot Camp 1 Run By The Scriptwriters Network – Practice Before You Pitch Course Level: ALL Levels
Course Description: LIMITED TO: 30 REGISTRANTS. You must click the 'Buy' link to sign up. (The price will be zero; this is the only way to reserve a seat.) The Pitch Boot Camp is a special free event at the 2009 Screenwriting Expo, run by the Scriptwriters Network, http://www.scriptwritersnetwork.org. The Pitch Boot Camp is designed to drill perspective screenwriters into delivering professional, concise and interesting pitches comfortably and sincerely to anyone at any time in any place under any conditions. The goal is to prepare screenwriters for participation at any pitching or networking event. The Pitch Boot Camp structure will mirror that of the Golden Pitch event itself, and thus potentially increase the effectiveness of the screenwriter's pitch. Tables will be set up just like the Golden Pitch, attended by ‘company reps’ (mock production companies, agents, managers and studio development executives). Each participant will pitch at each table for five minutes and switch roles to act as a ‘company reps’ to hear five-minute pitches from the other participating writers. Company reps will mark a simple checkbox score card on the major pitching points to help the pitcher to gauge how thoroughly they are communicating their project. Participants must have their material copyright protected and a prepared pitch. Some Pitching Resources: Selling Your Story in 60 Seconds; The Script Selling Game; Ten Minutes To The Pitch. LIMITED TO: 30 REGISTRANTS. You must click the 'Buy' link to sign up. (The price will be zero; this is the only way to reserve a seat.)
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Pitch Boot Camp 2-- Scriptwriters Network
Pitch Boot Camp 2 Run By The Scriptwriters Network – Practice Before You Pitch Course Level: ALL Levels
Course Description: LIMITED TO: 30 REGISTRANTS. You must click the 'Buy' link to sign up. (The price will be zero; this is the only way to reserve a seat.) The Pitch Boot Camp is a special free event at the 2009 Screenwriting Expo, run by the Scriptwriters Network, http://www.scriptwritersnetwork.org. The Pitch Boot Camp is designed to drill perspective screenwriters into delivering professional, concise and interesting pitches comfortably and sincerely to anyone at any time in any place under any conditions. The goal is to prepare screenwriters for participation at any pitching or networking event. The Pitch Boot Camp structure will mirror that of the Golden Pitch event itself, and thus potentially increase the effectiveness of the screenwriter's pitch. Tables will be set up just like the Golden Pitch, attended by ‘company reps’ (mock production companies, agents, managers and studio development executives). Each participant will pitch at each table for five minutes and switch roles to act as a ‘company reps’ to hear five-minute pitches from the other participating writers. Company reps will mark a simple checkbox score card on the major pitching points to help the pitcher to gauge how thoroughly they are communicating their project. Participants must have their material copyright protected and a prepared pitch. Some Pitching Resources: Selling Your Story in 60 Seconds; The Script Selling Game; Ten Minutes To The Pitch. LIMITED TO: 30 REGISTRANTS. You must click the 'Buy' link to sign up. (The price will be zero; this is the only way to reserve a seat.)
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Linda Seger
Making Your Script Cinematic Course Level: ADV
Course Description: Film is about images. We'll look at how to use images as metaphors to further deepen your story and communicate your theme, as well as using image systems that make your film cohesive and cinematic. Film clips will be used from several award-winning films.
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Structuring Scenes & Scene Sequences Course Level: ADV
Course Description: How does the three act structure apply to smaller segments of your script, such as scenes and scene sequences? How can you use scene sequences to give movement and direction to your script, and build excitement and drama? We'll look at ways that some of the best writers and directors build their stories through scene sequences, using examples from award winning films.
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Creating a Transformational Arc Course Level: ADV
Course Description: How do you develop characters that change and grow? How do you structure your story so the transformational arc is believable? We'll look at scenes from the film As Good as It Gets to see how this film is put together to create an unsympathetic character who becomes sympathetic.
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Deepening & Layering Your Characters Course Level: ADV
Course Description: What is a dimensional character? How do you create characters that are not only unforgettable, but deeply layered with subtext, with an inner life as well as a fascinating external life? We'll look at the elements of dimensionality, and how to research and think through characters to deepen and broad them.
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Communicating Your Theme Course Level: ADV
Course Description: How do you bring meaning to your story without becoming preachy? How do you help your audience connect with your story and characters? How do you communicate ideas cinematically? We'll look at how to understand your target audience, and embed ideas into your story that have meaning to them.
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Aline Brosh McKenna, Deborah Kaplan, Abby Kohn, Shauna Cross, Susannah Grant
Great Writers Panel: Five Women Who Happen To Be Screenwriters Course Level: ALL Levels
Course Description: Come here these fantastic writers talk about their craft and bring your best questions! Aline Brosh McKenna, Shauna Cross, Susannah Grant, Abby Kohn, Deb Kaplan
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David Shore
Guest of Honor Session: David Shore Course Level: ALL Levels
Course Description: Guest of Honor Session with the creator of 'House'
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Gary Shusett
Panel: Discussion with Feature Film Producers Course Level: ALL Levels
Course Description: Session with four producers who have made over a hundred films. Guests David Foster (Mask of Zorro), Jonathan Krane (Primarily Colors), Alex Rose (Norma Rae), Ron Shusett (Alien). Panel will also give feedback on pitches from enrollees. Moderated by Gary Shusett, founder of Sherwood Oaks College, which offers year- round classes for writers to meet with industry professionals. sherwoodoakscollege.com
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Agents and Managers Panel Course Level: ALL Levels
Course Description: Guests will include manager Sheree Guitar, representing TV and feature writers. Agent Fred Price, representing writers and directors. Agents David Warden representing feature writers. The panel will give feedback on enrollees pitches. Moderator is Gary Shusett, founder of Sherwood Oaks College which offers writers classers to meet with industry pros. herwoodoakscollege.com
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Ben Sitzer
Q & A with Industry Pros: Agency, Producer, Writer, Manager Course Level: ADV
Course Description: A full 90-minute Q & A session with a panel of industry pros--an agency reader, a producer, a studio exec, a lit manager or agent, a working TV writer and a working feature writer. The appeal for this panel is Expo-wide, both beginning and experienced writers, with panelist speaking from experience in all facets of the business. And it solves the problem of running out of time for Q & A's--we'll be doing Q & A's right from the start, having requested attendees come with prepared questions in advance.
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Robert N. Skir
The Craft of Animation Writing Course Level: All Levels
Course Description: Writer & Story Editor Robert N. Skir (X-Men, Transformers: Beast Machines, Godzilla, Extreme Ghostbusters) presents a workshop on The Craft Of Animation Writing, a heavily condensed version of the class he teaches at UCLA's School of Film, Television, and Digital Arts.
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Evan Smith
Comedy Writing--Making It Funny From the Ground Up Course Level: ADV
Course Description: This seminar will present Evan Smith's acclaimed method for creating 'premise-driven comedy ' an organic approach that focuses on developing a story's humor from the ground up. Attendees will learn how to weave comedic elements into a story premise to automatically generate funny scenes and seamless jokes throughout a script.
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Blake Snyder
In Memory of Blake Snyder Course Level: ADV
Course Description: No session is planned. Blake Snyder remains listed on the program simply to thank him on behalf of many screenwriters for the help, encouragement, and advice he gave. Many people have paid tribute to Blake at his web site, blakesnyder.com, with their own words. However, we think his last blog entry, the day before he passed away, says so much that we repeat the first paragraph of that entry here: 'I love writers. And I especially enjoy helping young writers who email with the big question: When? When will I sell my first script? When will I 'get on the boards'? My patient reply is always the same: Don’t worry about that right now. Have fun! The most important thing to do is to love what you’re doing. That way, getting better at it isn’t a struggle, it’s a pleasure.'
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Chris Soth
Million-Dollar Pitching -- Free But 'Buy' To Claim A Seat Course Level: ALL Levels
Course Description: Learn from the writer and author of Sold! How I Set Up Three Pitches in Hollywood how to make your pitches at this year's Expo sing and get your scripts requested and read! Tighten your log line to make it a must-read for every producer, agent, manager and studio exec you meet, whether it's in development, at a pitchfest or in an elevator. Lecture on general pitching and log line principles with workshopping of pitches for every writer time allows -- so come early and sign up! Free $44.95 ebook for all attendees!
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The Million-Dollar Mentor -- Free But 'Buy' To Claim A Seat Course Level: ALL Levels
Course Description: Two screenwriters have already signed with literary managers from this program. One has taken 8 meetings on his screenplay, with producers all over Hollywood. Another has an Oscar-winning director attached to his screenplay. Delivered by phone and internet all over the world. Come learn how mentorship helped Chris sell his own screenplay for $750,000. And learn how he modeled a course and program to repeat that success.
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Million-Dollar Screenwriting: Break Through The Three-Act Structure -- Free But 'Buy' To Claim A Seat Course Level: ALL Levels
Course Description: Learn the method Chris Soth used to write and sell his feature-length screenplay for $750,000 and has made him over a million dollars since! Movie stories are shot on reels, each one a chapter in the story with its own tension and telling its own story. Each a Mini-Movie all its own! That's why he calls it The Mini-Movie Method!
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Query...then Write! -- Free But 'Buy' To Claim A Seat Course Level: ALL Levels
Course Description: This sponsored class introduces a longer class/mentoring session after the Expo. Stop writing in the dark! Chris Soth will query his own managers who represent him with your logline before you write a word of your next screenplay! Once they're drooling for your screenplay, you and he will break the story down together, and you'll workshop your story with Chris in private conference calls recorded for your reference, checking in every 10-15 pages making sure you stay on course...and when the screenplay's ready...He will bring it to his managers to read!
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Deborah Spera
Guest of Honor Session: Deborah Spera, President of Mark Gordon Television Course Level: ALL Levels
Course Description: Guest of Honor Session with the experienced movie and TV executive Deborah Spera, President of Mark Gordon Television. Take this golden opportunity to ask a key Hollywood executive the question: how do I break in?
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Ron Suppa
Choosing a Marketable Premise Course Level: BEG
Course Description: Good writing by new writers is not as rare as one might believe, yet few spec scripts sell and fewer still make it to the screen. Why? Because many are doomed from the start. There are certain essential strategies in picking any film story that new writers in particular must consider. Come and learn what they are.
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What to Do After It's Written Course Level: All Levels
Course Description: Strategies for marketing your screenplay or teleplay and promoting yourself as a writer-for-hire, including preparing for a writer’s life, protecting your work, pitching, getting representation, and deal-making. Ron will also address the basic steps to take in producing a script yourself.
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Anna Tkach, Moderator
WGA-W Panel: Diversity In Television Writing Course Level: ALL Levels
Course Description: Staff writers from the WGA are faced with making critical character choices which reflect the ‘real’ world. This panel sponsored by the American Indian Writers Committee explores both how Asian, African American, American Indian and Latino characters are currently portrayed and avenues open to ethnic writers. This session is important for anyone trying to write about characters of other ethnic groups than their own. You can either learn more or use this session to find a writing partner or other help.
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WGA-W Panel: Diversity In Film Writing Course Level: ALL Levels
Course Description: Sponsored by the WGAw’s American Indian Writers Committee, this panel explores not only how to construct and write diverse characters in your films, but also how writers of diverse backgrounds can potentially get their scripts produced. This session is important for anyone trying to write about characters of other ethnic groups than their own. You can either learn more or use this session to find a writing partner or other help. Panelists will include Asian, African American, American Indian and Latino writers in various strategies of their careers. T
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John Truby
Blockbuster Story Techniques 11-20 Course Level: PRO
Course Description: Here are 10 more techniques you must know to be a pro. Hollywood studios are looking for only one thing: a screenplay with worldwide blockbuster appeal. And they know it when they see it. Why? Because very specific story elements are found in blockbuster scripts. Now, John Truby, “the best script doctor in the movie industry” and creator of the best-selling story development software Blockbuster, tells you exactly what these story elements are, and how to execute them. Learn how to write what Hollywood wants to buy:; The all-important spine of your story; What's really happening in the Love Story; The one story element that must be at the beginning; Building the pressure on your hero; The trick to a great scene weave; How the Crime Story works under the surface; How NOT to use dialogue; Scene sequencing; What must be present at the start of a good Horror Story; How to find the best genre for your script.
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Blockbuster Story Techniques 21-30 Course Level: PRO
Course Description: Another 10 more techniques you must know to be a pro from John Truby, creator of the best-selling story development software Blockbuster: Why two or three plot points aren't nearly enough; The most important technique for writing your Comedy; The one trick that works for every genre story; How to make your script race forward; The hidden pitfall to writing a great Thriller; How to come up with the right goal for your hero; The one genre you must use for a blockbuster; The biggest story obstacle to writing a Masterpiece; The trick to rewriting that kills most writers; Hollywood's essential story strategy that must be in your script.
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Richard Walter
Three Essential Principles for Creating Worthy Characters Course Level: ADV
Course Description: Character and story are not separate enterprises but two sides of the same coin. This presentation addresses some of the most common errors writers make regarding character issues. It offers insights into principles guaranteed to support the creation of memorable worthy fleshy characters that are essential to the success of any worthy screenplay.
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Talk is Cheap: Thirteen Principles for Dialogue Course Level: ADV
Course Description: Screenwriters should wield dialogue as merely another kind of action. Because it's poetic, punchy, peppy, funny and sad it should be worth listening to all by itself. But it can't be all by itself. It also has to advance story and expand character. Here is a baker's dozen prinicples designed to tighten, sweeten, and integrate dialogue so that it is a seamless aspect of screen narrative.
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Action and Setting--Little Things Mean a Lot Course Level: ADV
Course Description: Obviously movies are the best medium for compacting and compressing huge events--for example an ocean liner crashing into an iceberg, the D-Day invasion of Normandy Beach, an outsized gorilla mounting the Empire State Building--but what they accomplish still more effectively is quite the opposite, rendering that which is small--the gesture, the facial expression, even the mere offer of a cup of coffee--into something that is hugely dramatic and emotional. This session provides time-tested techniques for mastering that aspect of the screenplay.
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Gary Whitta
Interview: Breaking in - and what to do (and not do) once you have! Course Level: All Levels
Course Description: As a screenwriter who progressed from writing query letters to produced scripts and being a major studio writer, Gary Whitta is able to speak comprehensively on one of the most enduring questions about screenwriting - how to break into the industry and how to successfully navigate the business once you're in. From what makes a successful spec to pitching projects to studios and handling development notes
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Victoria Wisdom
How To Get Your Script Read Course Level: ADV
Course Description: How do you get an agent, manager, producer, director or studio exec to actually read your script? Find out, as a new writer, the crucial steps to breaking through the industry wall, as well as the most useful tools in preparing yourself professionally to give your script the best possible opportunity when it is read. Discover how to manuever the marketplace, and its perception of your material, in your favor.
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How to Find the Right Buyer for Your Project Course Level: ADV
Course Description: Whether Indie Mini-major or Major every buyer is looking to make a great film. What is it about your material that identifies it for a particular market? Who are the approachable buyers in each of the marketplaces? How does one get taken seriously by the right buyer for your script? Once you have identified the right buyer how do you go about getting it read? How do you target content for marketing your spec script? What are the industry tips for finding out who's looking for your script right now?
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How to Sell a Spec Script Course Level: ADV
Course Description: So you wrote a screenplay… what's next? Learn how to get an agent manager producer and a deal. Understand how to write scripts competitively for the studios target trends and choose commercial subjects. Learn how to collaborate and develop your material with development execs producers and financiers how to have a meeting with a studio executive that can hire you how to find and what to look for in your relationships with directors and actors. Most importantly how to create longevity in a career that begins with the first sale.
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CANCELED: How to Pitch Your Screenplay for a Sale Course Level: ADV
Course Description: CLASS CANCELED: Learn how to master the most challenging skill of a screenwriter's career: how to pitch a story that sells. Concise storytelling helps not only a completed script but is the key building block in weaving a compelling plot. Your livelihood in the film industry depends on the presentation of your ideas in a short but entertaining way. Walking through plot points will not stimulate your buyer to believe you can capture the tone of an amusing thrilling or dramatic story. Learn how to be a storyteller.
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Larry Zerner
The Top Ten Legal Tips Every Screenwriter Should Know Course Level: BEG
Course Description: A great overview on legal issues for the screenwriter. The class will cover such topics as 'What should and shouldn't be in an option agreement 'The ins and outs of copyright registration.'How do I avoid being sued for libel' How can I buy someone's life story rights'Do I need a collaboration agreement with my writing partner'Can I use the name of real products in my script' and 'How do I keep producers from ripping me off.
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Anthony Zuiker
Guest of Honor Session: Anthony Zuiker, Creator of The CSI Franchise Course Level: ALL Levels
Course Description: Anthony Zuiker, creator of the CSI series of shows, will be interviewed by journalist/actress Ariane Von Kamp
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